John Paul Jones’ performance at the 2025 Big Ears Festival in Knoxville was a masterclass in musical reinvention and a poignant reminder of his enduring genius. On March 22, 2025, the legendary bassist and multi-instrumentalist captivated the audience at the Tennessee Theatre with a solo set that seamlessly blended Led Zeppelin classics, traditional tunes, and avant-garde improvisations. This performance not only showcased Jones’ unparalleled versatility but also redefined the live music experience, leaving an indelible mark on all who witnessed it.
A Grand Entrance
The evening commenced with a theatrical flourish that set the tone for the night. As the haunting strains of the Wurlitzer pipe organ filled the air, Jones rose from beneath the stage, playing the opening notes of Led Zeppelin’s “Your Time Is Gonna Come.” The audience erupted in applause, recognizing the iconic song’s introduction reimagined through the grandeur of the organ. This dramatic entrance was not just a nod to Zeppelin’s legacy but also a testament to Jones’ ability to breathe new life into familiar material .
A Journey Through Sound
Throughout the set, Jones demonstrated his remarkable ability to transition effortlessly between instruments, each choice adding a unique texture to the performance. From the grand piano, he delivered a haunting rendition of “No Quarter,” infusing the piece with a classical sensibility that highlighted its intricate composition. Switching to a triple-neck electric mandolin, he performed “Down to the River to Pray,” layering multiple parts using live looping techniques. This piece, originally featured in the film O Brother, Where Art Thou?, showcased Jones’ skill in blending traditional melodies with modern technology .
The performance continued with a series of Led Zeppelin classics, each reinterpreted through Jones’ diverse instrumental palette. “When the Levee Breaks” was delivered on a collapsible lap steel guitar, its deep, resonant tones filling the theater. “Since I’ve Been Loving You” was presented on piano, with Jones employing bass pedals to recreate the song’s iconic bassline, demonstrating his deep understanding of the original arrangement. “Going to California” was rendered on mandolin, its delicate notes evoking the song’s folk roots .
Humor and Humility
Despite his illustrious career, Jones approached the performance with a refreshing sense of humor and humility. At one point, he quipped, “I used to have 30 guys helping me do this,” acknowledging the challenges of performing solo. His candidness and wit endeared him to the audience, creating an intimate atmosphere that belied the grandeur of the venue .
While the evening honored Led Zeppelin’s legacy, it also ventured into uncharted territory. Jones incorporated live electronic elements into the performance, using the Kyma sound design system to manipulate sounds in real-time. This integration of technology added an experimental dimension to the set, reflecting Jones’ continuous evolution as an artist. Collaborations with artists like Anssi Karttunen and Thurston Moore further expanded the sonic landscape, blending classical, rock, and avant-garde influences into a cohesive and innovative performance .
A Legacy Reimagined
John Paul Jones’ performance at the Big Ears Festival was more than a concert; it was a celebration of musical innovation and a testament to his enduring influence. By reimagining Led Zeppelin’s classics through a modern lens, he not only honored the band’s legacy but also demonstrated the timelessness of their music. The evening was a reminder that true artistry transcends genres and eras, and that the spirit of rock and roll continues to evolve through those willing to push its boundaries.
As the final notes resonated through the Tennessee Theatre, it was clear that John Paul Jones had once again proven his place at the forefront of musical innovation. His performance was a masterclass in versatility, creativity, and the enduring power of music to connect, inspire, and transform.
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